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2001
Uitgeverij Boom
Dassen
Restricted Page
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... Martin Waiser, Gottfried Helnwein, Hans Peter Duerr, Peter Handke, Wim Wenders,
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2001
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La démarche de Gottfried Helnwein est différente. C’est l’enfant victime qui est son sujet. Victime, mais également sauveur, comme dans l’une de ses plus belles œuvres, “Kindskopf”, exposée dans l’eglise médiévale de Krems en Autriche, en 1991.
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15. 4月 2000
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Antico Monastero di Santa Chiara "E’ sicuramente importante dimostrare, per la prima volta nell’Europa Occidentale, la comune fede in un unico Signore risorto" Mons. Michel Berger ...
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2000
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2000
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2000
Rolling Stone
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Fred Woodward
Editor Hardcover: 252 pages
Philip Burke, Anita Kunz, Bob Dylan, Neil Young, Robert Risko, Robert Grossman, Milton Glaser, Ralph Steadman, Paul Davis, Shirley Manson, David Bowie, Marilyn Manson, Mark Ryden, Austin Powers, Mick Jagger, Keith Richards, Steve Brodner, Julian Allen, Joni Mitchell, Gottfried Helnwein, Christina Ricci, Suzanne Vega, Las Vegas, The Notorious.
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2000
DuMont Buchverlag, Köln
Andreas Mäckler
Herausgeber "Kunst ist die einzige Freiheit, die uns geblieben ist."
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01. 4月 1999
Walter de Gruyter
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1999
AB Bookman Publications
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1999
University of Michigan Press
Gerd Gemunden
Framed Visions analyzes the pivotal role American mass media and popular culture have played in shaping the political, social, and psychological identity of postwar Germans and Austrians. Through detailed readings of films, novels, plays, and poems of a variety of contemporary artists--including Rainer Werner Fassbinder, Wim Wenders, Elfriede Jelinek, Herbert Achternbusch, Monika Treut, Peter Handke, and Rolf Dieter Brinkmann. Gerd Gemunden reveals the paradoxical stance of this generation toward American politics and Hollywood aesthetics.
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