Gottfried Helnwein | ニュース | 新着情報

In fact, his work is insistently open-ended. Like Goya's Disasters of War, his art queries time and again, "How can this have happened?" Sometimes viewers reply, assaulting pictures of innocent children, worshipping those of a murderous dictator. Yet such reactions can only bring us to inquire again, louder and with greater urgency, "How can this have happened?" At last we recognize that Helnwein asks questions not in order to solicit answers - hate has no reason - but rather in order that we might begin to pose our own.


		09. 11月 2003 Museum of Tolerance/Simon Wiesenthal Center, Los Angeles Jonathon Keats THE ART OF HUMANITY Helnwein In fact, his work is insistently open-ended. Like Goya's Disasters of War, his art queries time and again, "How can this have happened?" Sometimes viewers reply, assaulting pictures of innocent children, worshipping those of a murderous dictator. Yet such reactions can only bring us to inquire again, louder and with greater urgency, "How can this have happened?" At last we recognize that Helnwein asks questions not in order to solicit answers - hate has no reason - but rather in order that we might begin to pose our own.


		The complete article: http://www.helnwein.com/texte/international_texts/artikel_1446.html


09. 11月 2003	Museum of Tolerance/Simon Wiesenthal Center, Los Angeles	Jonathon Keats