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along with a room full of agents and managers. It was a nightmare of a screening because the digital projector broke mid-way through and began stretching the image and artifacting. I had to stop the screening until all the technical issues had been resolved.
Very painful. But after the screening I spoke with Gottfried, his wife Renate and their daughter Mercedes about the film and received their very genuine and enthusiastic responses.
To hear an opinion from another artist, one whom I trust and respect, was quite a fine moment for me.
Next week, Greg Shapiro, Robert Brinkmann and I are going to visit the Helnwein's Los Angeles studio.